A Collection of Tarot Decks

THE KALEVALA TAROT
Created by Kai Kalervo Aaltonen, Artwork by Taina Pailos

This review was originally published on the ATA Tarot Review site in December 2001

Reindeer pulling sleighs through snowy landscapes, the rippling lights of the aurora borealis, dense forests of pine, spruce and birch, coffee and sweet breads. These are all images of Finland, home of Christmas City, and Santa's home at Korvatunturi. What better choice of a deck to review in the week before Christmas than the deck inspired by the national epic of Finland, the Kalevala Tarot. Even more appropriate this year, when the hoopla surrounding the Lord of the Rings climaxes just before Christmas. The Kalevala was a major inspiration to J.R.R. Tolkien, and Gandalf has much in common with its central character Väinämöinen. The sound pattern of Tolkien's invented language, Quenya, was strongly influenced by the Finnish language. I've been meaning for a long time to read this epic, and seeing this deck's bright red box with petroglyphic reindeer graphics on my shelf was the push I needed.

The Kalevala was constructed by Elias Lönnrot in the nineteenth century from a tiny subset of the runo poems that had been sung for centuries in rural parts of Finland. Lönnrot's collection and publication of folklore was part of the national romanticism movement that was going on throughout Europe at the time. For instance, the Brothers Grimm published their first collection of German folktales in 1812. But Lönnrot selected, ordered and published these poems not as stories for children, but as a national epic for Finland on the order of Homer or the Nibelungenlied. Lönnrot's publication of the Kalevala in 1835 and then, expanded and reordered in 1849, was a major force in helping the Finns define themselves apart from the Swedes and Russians who had ruled over them in recent centuries (since the 12th century) from the West and East respectively.

A unique feature of the Kalevala is that the heroism it celebrates is not based on a strong sword-arm, but ability in magic. Magic is sung, just like the runos.

Then old Väinämöinen sang,
Sang his songs and cast his spells:
Sang a fir tree flower-crowned,
Flower-crowned and golden-leaved,
Stretched it high into the air,
Through the very clouds he sang it.
Till its leafy branches reaching
Spread its foliage high as heaven.
Singing songs and casting spells:
Sang a moon to shine up there
On the fir tree's golden crown;
Sang the Great Bear on the branches.
(Runo 10, Eino Friberg translation)

It struck me that like the Irish Tuatha de Danaan stories, the runo poems collected into the Kalevala may be preserving the memory of the struggle between peoples already present on a land and newer settlers who end up prevailing. The runo selected by Lönnrot describe the struggle between two peoples: the Kaleva, the "heros" from whose perspective the story is told (probably the Finns, a Finno-Ugric people), and the Pohjola, the "great enchanters" from the "foggy land of sedges", (probably the Saami, the indigenous people). Thus, I personally do not see the story as a tale of good and evil or good guys and bad guys. From strictly a story perspective, not looking for deeper meanings, the primary characters are Väinämöinen, the magic-singer, Ilmarinen, the Smith, and Lemminkäinen, the Fighter and Lover. These three represent the side of the Kaleva; Louhi, the Mistress and mighty enchantress of Northland is the main force on the side of the Pohjola. The magical artifact, the Sampo, which provides great wealth to whoever possesses it, is woven throughout the epic, in which its creation and destruction are told.

I will sing a good song for you
And I'll make it beautiful:
Do it on a rye bread diet,
Wash it down with barley beer.
(Runo 1, Eino Friberg translation)

Decks based on story cycles can be tricky things. If the designer simply chooses characters and scenes from the story and associates them with the closest card and is done with it, the correspondence will be forced. In this deck, the associated characters and story elements are simply a starting point. From there, strict adherence to the happenings in the Kalevala may be departed from to properly express the card. For instance, the Emperor is represented by Joukahainen, not at the point in his life in which he appears in the Kalevala, but as he might be as a mature and much wiser man. As much symbolism as is found in a deck like the Rider-Waite-Smith is present on each card of this deck, but all symbolism is intended to fit the Finnish theme. All of the Major Arcana are renamed, and in Finnish, but there are always plenty of reminders of traditional deck images, so this deck should be usuable out of the box by those familiar with the typical Rider-Waite scenes. Because of the "as if" use of characters in the epic, it would probably be useful to read the book even if you are familiar with both the Kalevala and Tarot. I'm not terribly familiar with the epic, so I can't comment on whether the appropriate characters or scenes have been chosen for the cards.

As with most books accompanying decks, the orientation of the text is consultative rather than historical, meditative or occult; and the discussion in the book includes sections giving meanings that are pithy and practical for doing readings for the public. There is the standard reproduction of qabalistic tree of life glyphs, and also an enneagram. In my opinion, this coverage seems more to be filler to me, than essential for understanding the deck, as the deck does not seem a typical Golden Dawn deck. It does not follow the color scales or the decan based pip meanings, for instance. As with almost all books accompanying decks, I come away disappointed because I still don't know WHY the artist/designer team made the artistic and design choices they did in arriving at each card, and that is truly the bit that only that team could impart in such a book. I already have my preferred sources for learning about qabalah and divinatory meanings. I wish the formula for writing these books would move towards greater coverage of symbolic intention rather than regurgitating information found in basic Tarot texts elsewhere.

Fundamentally, this is not a study deck, it is a theme deck, and is typical of that genre. The artwork is rustic and colorful and has really grown on me as I've worked on this review. It would appear that a majority of the cards depict scenes set out of doors and in the summer. Some of the elements, such as the reindeer element used in the card back design, come from traditional Saami art. I looked online for biographical information on Taina Pailos, but although I found several sites in Finnish that appeared to be exhibitions her work appeared in, I found nothing in English.

If you are a fan of Tolkien or high fantasy in general, you should take a look at the Kalevala. If you are a lover of the Northwoods (whether that be Canada, Minnesota, or Scandinavia), the mood of this deck should prove very appealing to you.

Now bring back the splendor here
As it was in better days:
Like the moon in fir boughs gleaming,
Like the sun in pinetops shining,
And the forest filled with odors,
Smell of mead and smell of honey
Through the wide blue haze of woodland,
Smell of sweetwort round the clearings,
Swamps the smell of melted butter.
(Runo 14, Eino Friberg translation)

The Kalevala Tarot Book and Deck Set (ISBN 0-88079-187-X, copyright 1996) is published by U.S. Games Systems and available through your local bookseller.

Another perspective: Thorough and excellent review of this deck by Mathieu Ouellet My own approach, based on a lengthy study of the Tarot and a very novice understanding of the Kalevala is contrasted by Mathieu, who is a long-term student of the Kalevala and bought the pack to learn more about Tarot.

To learn more about topics mentioned in this review

  • Read the Kalevala
    Kalevala: Epic of the Finnish People. Translated by Eino Friberg, Editing and Introduction by George C. Schoolfield. Illustrated by Björn Landström. 1988: Otava Publishing Company, Ltd., Helsinki Finland. ISBN 951-1-10137-4. Web Page
  • Or, Read an Adaptation
    • Synge, Ursula. Land of Heros: A Retelling of the Kalevala. 1978: Atheneum, New York. ISBN 0-689-50094-7 - an abridged prose version
    • Phelps, Ethel Johnston. The Maid of the North: Feminist Folk Tales From Around the World. Illustrations by Lloyd Bloom. 1981: Holt, Rinehart and Winston, New York. ISBN 0-03-056893-5
    • Shepard, Aaron. The Maiden of Northland: A Hero Tale of Finland. Illustrated by Carol Schwartz. 1996: Atheneum Books for Young Readers, Simon & Schuster Children's Publishing Division, New York. ISBN 0-689-80485-7 Web Page and More about the story
    • Other adaptations listed at A Kalevala Bookshelf
  • About the Kalevala in General
    • Kalevala: The Finnish National Epic Written for Virtual Finland by Anneli Asplund, senior researcher; Sirkka-Liisa Mettomäki, researcher; The Kalevala Society, the Finnish Literature Society
    • Kalevala: from Myth to Symbol This article was written for Virtual Finland by Professor Michael Branch, School of Slavonic and East European Studies, University of London.
    • SKS: Kalevala a large site on the epic by Suomalaisen Kirjallisuuden Seura
    • A Talk on the Kalevala Given by Richard Impola at the Salolampi Adult Week Richard Impola is the author of Words of Wisdom and Magic from the Kalevala
    • The Kalevala Day Celebrations - Kalevala Day is February 28 - This page is by Minna Popkin and Bob Breau
    • The Kalevala: The Finnish National Epic by Kai Laitinen. The author describes how Lönnrot assembled materials in the Kalevala, which resulted in a paradox. Many lines are folk poetry, but the whole is not. By standardizing the language and style, giving coherence to the plot, and ordering the poems according to a "logical progression, " Lönnrot created his own epic Professor Laitinen, who teaches in the Department of Finnish Literature, University of Helsinki, also remarks on the symbolism in Lönnrot 's Kalevala.
  • About Finland
  • About the Saami
    • The Saami - people of the sun and wind
    • An introduction to the Sami people A presentation to share information and knowledge so that others may come to understand us. An overview of the native Sami art, culture, current issues, history plus a few pages of recent events presented from an indigenous perspective. We hope that this taken together with the links on a separate page will give an overall picture of the Sami people and what the contemporary life is like.
    • The Sámi people (not Lapps!) FAQ section for the Usenet newsgroup soc.culture.nordic
  • JRR Tolkien
  • Santa Claus
    • Santa´s Lapland and Christmas Club - Finland is the home country of Santa Claus. Santa lives on a fell called Korvatunturi (Ear Mountain) in the municipality of Savukoski. Santa can´t live on the North Pole because there isn´t anything to eat for his reindeer there. But in Finnish Lapland a reindeer is a very common animal and it has a lot of food there. There are about 200 000 reindeer in Finland.

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Copyright © 1994-2001 Joan Schraith Cole.
Updated August 26, 2001
Some graphics from Ann-S-Thesia CD, Number 76 variant A
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